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Hans Christian Andersen wrote in 1873 "the daughter of the sea", the little mermaid sacrificing his life for love touching story, she has a noble and good heart, and for the persistence of love. And ARIEL culture also stems from this time, following the mermaid until now, the spirit of perseverance in defending bath of humanized design, contracted and not simple.
Small and powerful of the five Nordic countries have stunned by innovation, and ARIEL is came from the Nordic elves, her interpretation of the Nordic people's understanding of simple, not dazzling, not a presumptuous guest usurps the host's role, need not buckish excessive luxury decoration, the elves kingdom with and intuition to temperament, exalted enables you to enjoy a comfortable life.
安徒生在1873年寫(xiě)下了《海的女兒》，美人魚(yú)為了愛(ài)情不惜犧牲自己生命的感人故事，她擁有一顆崇高而美好的心靈以及為愛(ài)的執(zhí)著。而艾尼爾的文化也源于此時(shí)，追隨著美人魚(yú)的精神直到現(xiàn)在，執(zhí)著于人性化的衛(wèi)浴設(shè)計(jì)，簡(jiǎn)約而不簡(jiǎn)單。
小而強(qiáng)大的北歐五國(guó)擁有驚為天人的創(chuàng)新力，而艾尼爾正是是來(lái)自北歐的精靈，她詮釋著北歐人對(duì)簡(jiǎn)約的理解，沒(méi)有眼花繚亂，沒(méi)有喧賓奪主，無(wú)需浮華奢靡的過(guò)度修飾，精靈王國(guó)擁有著與身俱來(lái)的氣質(zhì)，讓您享受尊貴舒適的生活。
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